Jack White is abound. When he released that a rolling record store would appear at SXSW my heart was a-flutter. I almost dropped dead of jealousy when I saw this. Thanks to the internet, there is plenty of SXSW coverage for those of us who cannot make it. (One day we will.)
In addition to that, there is plenty other findings I need to get out to the world. For our vegetarian loving friends, there is another Opinionator blog contribution from Mark Bittman. He brilliantly brings up the comparison of house pet treatment against and farm animal treatment. Why is it okay to beat a pig or a cow before you eat it but not okay to beat your dog, cat (or in this case, a hamster)? The treatment of farm animals and house pets should always be in the same conversation. Bittman does it well (in anything he does). If you’ve seen any footage from investigative food industry reporting (be it documentary or online) you can see the harsh lives these animals live every day. It makes you think, shouldn’t you be treating the animals you consume every day the same way you treat your house pets?
For our friends at Team Coco, there is a new documentary about him. It chronicles the backstage life and life of the Legally Prohibited from Being on Television Tour from last summer. Which I did see with my dad in Atlantic City. It was pretty funny. But it dragged in the end. (Even before his fame I didn’t think Reggie Watts was very funny.) The tour seemed like Conan wanted something to do with himself. Instead of doing nothing. Which is why his ‘dark’ side coming out isn’t surprising. Although I cannot feel bad for him since he was given like, what - 30 million? to leave The Tonight Show. It’s the writers and the rest of us I feel bad for. The previous for moving their lives to get (literally) nothing and the latter for having to sit and listen to it.
And now there is my still current obsession with the press surrounding the Strokes. You can stream their whole album on their website until it comes out next Tuesday, the 22nd. I haven’t heard most of it. Just the first track (and the single that you hear everywhere.) But when Angeline sent me this, I started raging. David Fricke can call them the band that lead the beginning of revival of garage rock. (I guess he can.) But in no way shape or form is it okay to compare the debuting of the Strokes to the debuting of the Velvet Underground. The Velvet Underground is one of the most important bands. It is because of their content, timing, experiments with music, instruments, sound and their poetry. There is plenty of literature on the subject. And it’s not hard to find. Being compared to the Velvets is unusual. Almost unheard of. And of all places to be found, for this to be published in Rolling Stone, the paralleling really dumbs down the Velvet Underground. (The Strokes are the last band that ever deserves that comparison.) I’m not sure who I would even compare the Velvets to. The Strokes have a new sound, but in no way did they start a revolution for freaks, junkies, artists, poets or musicians. I can’t stop reading, but the more I do the more irritated I become at the undeserving pedestal the Strokes are on.
I haven’t read it yet (it hasn’t come in the mail) but I can only assume that this Week’s New Yorker Profile of Alec Baldwin is great.
I’m in the process of compiling my favorite live albums. Also I’ve found a way for you to stream MP3s right from our site, while you read. Stay tuned!
Also, Happy St. Patrick’s Day. As my mother said to me today via email, please drink responsibly.









